#Ui 12 with waves multirack pro
#Ui 12 with waves multirack free

He also clearly doesn't understand sound, primarily equalization, phasing, and delays.

Our 'District' guy is very negligent, and refuses to maintain anything regarding lights/sound in the older theaters - the new ones get his attention. Your plug ins work very well with Automap, especially since there are so few controls everything fits easily on one page.I'm one of those kids that repatches things, but there was reason and very little friction. Pan knob (that pans stereo as well as mono sources) a smaller knob 'Trim' (critical in preserving a previous pass move but just wanting to adjust overall level) Big knob should be the fader, that drops to infinity as well as +12

#Ui 12 with waves multirack pro

I don't think Sonalksis will be making an AAX version of this, and I currently use FreeG and Automap on every channel as an alternate mode of mixing for high track count post-production sessions, as opposed to the Pro Tools channel faders.ДЄutomap has announced that AAX support is coming, and thankfully you also do AAX. I realize if you stick with your GUI the meter won't be able to perform the same level of detail, but that's not what I'm after. Primary objective would be light CPU usage so it can go on every channel of very high track count sessions, and comply with Automap for hardware control.

I mean, how many straight-ahead flavors of distortion, filter, and time domain plugs do we need?ДЄ light-weight CPU usage plug-in similar to: Perhaps what could further differentiate DC from other devs would be to begin concentrating on a few esoteric FX in the spirit of GRM tools. With the inclusion of a restoration suite and maybe multi-band dyanamics your bundle would then cover more than enough bread and butter processing and standard FX (imo, of course). I think Medienhexer is on to something even bigger, however. Maybe include a randomized 'accidentally whacked the box' button just for fun.ДЄlso, Medienhexer mentioned a, 'comb filter with resonance, ring modulation and metalize parameters for robot voices, crazy drums and aetherial pad sounds', and, 'Phase shifting effect that allows you to create pseudo-surround effects', that both sound like winners. Lobsterinn mentioned a spring reverb that I also think would be great and is in keeping with FX that can have simple interfaces. Until hiss, pops, clicks, and other nasties have been eliminated from the world no DAW is safe. I don't think it is possible, but it would be great If we could get a hint if they are coming within the introprice period.ДЄ collection similar to (but better, of course) the Waves restoration collection of plugs seems like an essential for a comprehensive plugin suite. +1 for restauration plugins like a (useable) denoiser, a declicker and decrackler. The looks and easy layout of the original. there is space for one smaller pot each left and right to the big knob - again, totally in keeping BUT, to my knowledge, this wasДЄn addition to what they had in the EMI mixing console, namely a 100 Hz shelf cut/boost Yes, the 2.8 Hz - 3.5 Hz - 10 Hz peak boost/cut was what they used. One plug-in that could use additional pizzazz is the Beatles' EQ (DC brightness). I photoshopped that into the original, like so:

#Ui 12 with waves multirack free

It would keep the simplicity of the GUI and the whole concept intact, but would free up a whole band of EQ. How about two push buttons to the left of the V.U., one with '40 Hz' cut when pushed, the other with '80 Hz' and pushingД«oth together would give you. The DC-Retro Equaliser could use a low cut filter IMHO, so that you don't have to use up the nice low band controls for it. Kudos for being so fast in reacting to us DC-plug-in users' suggestions.ДЄlways nice to know that one is not talking into the deep black void. The 'poor mans Waves Multirack' ( ) as one may say the 'live-professor': ), that can replace a lot of common outboard gear needed for mixing concerts.

Even if you don't use SAC, there are vst-host out there (f.e. I'm quite sure, there are lot of live sound techs out there, that would really appreciate a plugin like that. So this would be three knobs in total.ДЄnd one Tap Button. Distorted delays are quite 'hipp' in modern rock mixes. And it would be really cool, if you could add a simple one-knob overdrive/distortion feature to this plugin. Maybe add sweepable a hi- and low-cut to it. But there a only very few tap-able (by mouse clicking) delays out there! The sync-option is nothing you can use in a live scenario, a simple tap button would do the trick. Ping pong, rhythmic delay patterns, inverse dealy and so on. Most of them can do sophisticated things like: F.e.

Since I use my DAW rig for mixing live concerts with SAC (softwareaudioconsole), I would like to see something really simple:ДЄ Tap Delay with a dedicated tap button! Nowadays there are billions of delay/echo plugins available.